Genius Path · Track 04

Video / Social
Content.

Lighting, audio, direction, pacing, hooks, colour grading, brand tone in motion, short-form structure for Reels, TikTok and YouTube Shorts. Video is not just recording. It is visual communication with a time dimension.

FormatsReels · TikTok · YT Shorts
ToolsPhone · Tripod · CapCut · Premiere
Study09:00–12:00
Build13:00–16:00
SubmitTrello by 16:00
01 — Foundations

Video is designed, not just recorded.

Every frame of a video is a design decision. Lighting, framing, pacing, music, colour — all of these are intentional choices that communicate something about the brand before a word is spoken.

The biggest mistake beginners make

Pressing record before thinking.

Bad video is almost always made by someone who picked up a phone and started filming without deciding: What is this video trying to make the viewer feel? What is the first second doing? Where is the light coming from? What happens at the end?

If you cannot answer these 4 questions before you film — you are not ready to film. Plan first. Film second. Edit third.
How brands use video differently

Same platform. Completely different energy.

A Woolworths Food video and a Checkers 60/60 video are both on Instagram. But one moves slowly, uses warm lighting, soft music, and close-up food shots. The other moves fast, uses bright colours, energetic music, and quick cuts. Same platform. Opposite brands. Both correct.

The brand decides the video style — not your personal preference. Always ask: what does this brand feel like? Then make the video feel like that.
Concept 01

The Hook — first 2 seconds

On TikTok and Reels, 70%+ of people scroll past if the first 2 seconds do not stop them. The hook is not the intro — it is the reason to stay. It can be a question, a surprising visual, a bold statement, or movement that does not make sense yet.

Weak hook: "Hi guys, today we are going to..." — they are already gone. Strong hook: Show the finished result first. Then show how you got there.
Concept 02

Pacing — cuts per minute

Pacing tells your viewer how to feel. Fast cuts (8–12 per 15 seconds) feel energetic, urgent, exciting. Slow cuts (2–4 per 15 seconds) feel calm, premium, considered. Match the cut rate to the brand energy — not to what you find easy to edit.

Jacquemus: slow, 3–5 cuts per 15 seconds. Checkers 60/60: fast, 8–12 cuts per 15 seconds. Same tools, opposite tempo.
Concept 03

Brand consistency in video

A brand that uses a warm, golden colour grade in all its videos feels different from one with cold blue tones. The colour grade is part of the brand system — not a filter you apply randomly. Set a colour treatment for a brand and use it consistently across every video.

Woolworths: warm, soft, golden. FNB: clean, bright, slightly cool. Investec: desaturated, sophisticated, moody. Each is intentional.
Concept 04

Framing — what the camera sees

Framing is composition. Where you place the subject in the frame tells the viewer what is important. Centred framing feels formal and direct. Off-centre framing feels editorial and dynamic. Close-up feels intimate. Wide shot feels establishing and contextual.

Rule of thirds: place the subject at the intersection of imaginary lines dividing the frame into thirds — horizontally and vertically. Study any premium brand video and you will see it constantly.
Concept 05

Sound design — not just music

Sound is 50% of the experience. A video with bad audio feels amateur even if the visuals are strong. Sound design includes: the music bed, ambient sound (or silence), voice clarity, sound effects, and how cuts are timed to beats. Every sound decision is intentional.

Premium brands often use ambient sound — the sound of coffee being poured, fabric moving, rain. These sounds make the video feel real and sensory before the product is shown.
Concept 06

Typography in motion

Text in video must follow the same hierarchy rules as print — but it also moves. When text appears too fast, it cannot be read. When it moves chaotically, it distracts from the message. Text should appear, hold, then exit — each action timed to a beat or edit cut.

TikTok auto-captions feel different from branded typographic overlays. Branded text uses the brand font, brand colour, and appears at a consistent position on screen — bottom third or centred.
02 — Lighting

Light is the first design decision.

Before you choose a location, before you write a script, before you pick music — you decide the light. Light creates mood, tells the viewer how to feel, and communicates brand positioning before a single word is spoken.

The core principle

Hard light vs soft light.

Hard light comes from a single, direct source — bright sun, a naked bulb, an LED panel without diffusion. It creates sharp shadows, high contrast, dramatic mood. Used in action, sports, tech, and dramatic storytelling.

Soft light comes from a large or diffused source — cloudy sky, a window, a light through a diffuser. It wraps around the subject, removes harsh shadows, feels gentle and approachable. Used in food, beauty, lifestyle, and luxury brands.

Most beginner video mistakes come from using hard light where the brand needs soft — or vice versa. Know which your brand needs before you set up.
Natural vs artificial light

The best light is often free.

Natural light: A large window on a cloudy day is the most flattering light source you have access to for free. Film with the window to the side of your subject — not behind them (backlit = silhouette) and not directly in front (too flat).

Golden hour: The hour after sunrise and before sunset. Warm, directional, magical. Used by almost every premium lifestyle brand for outdoor content. Plan your shoots around it.

Harsh midday sun = hard shadows = avoid for beauty and food content. Cloudy sky = natural softbox = perfect for almost everything.
🌅
Golden hour — warm directional
1 hour after sunrise or before sunset. Long shadows, warm orange-gold tones. Makes everything feel aspirational, warm, and human.
Feels like: premium lifestyle, travel, food, fashion. Used by: Woolworths, Tashas, Jacquemus outdoor campaigns.
🪟
Window light — soft and directional
Large window, overcast sky = natural softbox. Place subject at 45° to the window. Creates soft shadows, flattering skin tones, clean and intimate feel.
Feels like: beauty, skincare, editorial, lifestyle. Used by: Rhode, Glossier, MIRA, most beauty brands.
🌃
Dark background — controlled studio
Single light source on a dark or black background. Creates drama, focus and luxury. The subject is isolated — nothing competes for attention.
Feels like: luxury, premium, tech, high fashion. Used by: Investec, Apple, premium restaurant brands, dark UI product videos.
🕯️
Warm ambient — candles or tungsten
Warm yellow-orange light, low intensity. Creates intimacy, warmth and nostalgia. Works for food, hospitality and lifestyle brands that want a human, personal feeling.
Feels like: fine dining, craft brands, hospitality. Used by: Marble restaurant, Bootlegger, boutique hotel content.
💡
LED ring light — flat and even
Even, flat light with no shadows. Good for talking-head content, tutorials, product demos where clarity matters more than mood. Avoid for anything that needs to feel premium.
Feels like: educational, demo, accessible. Used by: YouTube tutorials, unboxing videos, how-to content. Not premium brand content.
🔦
Coloured light — accent and mood
Coloured LEDs or gels over lights. Creates atmosphere and brand colour associations. Used deliberately in tech and nightlife content. Very easily overdone — use with extreme restraint.
Feels like: tech, nightlife, creative studios. Used by: gaming brands, tech launches, DJ/event content. Not for service brands or professional content.
Lighting setup — the 3-point system
Key light

The main light source

Placed at roughly 45° to the side and slightly above the subject. This is the primary light that defines the shape of the face or object. Everything else is secondary to this.

Fill light

Softens the shadows

Placed opposite the key light. Much softer and less intense — usually 50% the brightness of the key. Its job is to reduce harsh shadows without eliminating them entirely. Soft = reflector or second lamp at distance.

Back light / rim light

Separates from background

Placed behind the subject, pointing toward the back of the head or shoulders. Creates a subtle glow that separates the subject from the background. Makes the subject feel three-dimensional rather than flat against the wall.

03 — Audio

Audio is 50% of the experience.

A viewer will tolerate average visuals with great audio. They will not tolerate great visuals with bad audio. Audio is not an afterthought — it is a fundamental design decision.

The non-negotiables

Before you film — audio checklist.

  • No wind noise: Use a windshield/deadcat on your mic if filming outdoors. Wind ruins audio instantly.
  • Close mic placement: The microphone should be as close to the speaker as possible without being in frame. 30cm is usually the maximum for clear voice capture on a budget mic.
  • No background hum: Turn off air conditioners, fans, fridges. These create a constant background noise that cannot be removed cleanly in editing.
  • Room acoustics: Hard walls create echo. Soft furnishings absorb echo. Film in rooms with curtains, couches and carpets for cleaner audio.
  • Monitor while filming: Plug headphones into your recording device and listen while filming. If you do not monitor — you do not know what you are actually recording.
Music as brand language

Music tells the viewer how to feel before they process anything else.

Music selection is a brand decision — not a personal preference. A luxury brand uses music that is slow, atmospheric, minimal. A youth brand uses music that is energetic, rhythmic, current. A corporate brand uses music that is clean, professional, neutral.


Tempo: Fast BPM = energy. Slow BPM = calm or premium. Match the BPM to the cut rate.

Instrumentation: Piano = elegant. Guitar = human/craft. Electronic = modern/tech. Strings = premium/dramatic. Percussion-heavy = energetic/sporty.

Your cut edits must land on beats in the music. If your cuts do not match the music rhythm — the edit feels broken even when nothing technically is wrong.
Audio type 01

Voice-over (VO)

Narration recorded separately from the visuals. Used for brand storytelling, product explanation, and authority content. The voice must match the brand — a luxury brand needs a calm, confident voice. A youth brand can be more informal and energetic.

Record VO in a small, soft room (closet with clothes works well — clothes absorb echo). Use a lavalier mic or a cardioid condenser microphone. Never use a phone speaker mic for VO.
Audio type 02

Sync sound (natural audio)

The sound that happens naturally during filming — coffee being poured, keyboard typing, fabric rustling, wind in trees, footsteps. These sounds make video feel real, sensory and human. Premium lifestyle brands use sync sound deliberately to create immersion.

Record sync sound separately from the main audio track if possible — this gives you control in editing. A second phone recording audio near the action works well as a backup.
Audio type 03

Music bed

Background music that runs under the entire video. Should sit below the voice or sync sound in the mix — never compete with it. The music bed sets the emotional tone and energy level. It should fade slightly when a voice begins and return when the voice ends.

In CapCut or Premiere: music bed sits at -12dB to -18dB when voice is present. Voice sits at 0dB to -6dB. The contrast between the two keeps the voice clear and the music felt rather than heard.
Audio type 04

Sound effects (SFX)

Short, specific sounds added to reinforce visual moments — a soft whoosh on a text reveal, a subtle chime on a logo appear, the sound of a product being opened or placed down. Used sparingly, SFX adds polish. Used heavily, it feels like a YouTube tutorial from 2014.

Premium brand SFX: subtle, soft, organic. The sound of pages turning. Soft cloth. A single piano note. Never: whoosh transitions, cartoon sounds, or dramatic impact sounds on brand content.
Audio type 05

Silence

One of the most powerful audio tools — and one beginners never use. A moment of silence before a key message makes the message hit harder. Silence communicates confidence and premium positioning. The most expensive brands often use near-silence in their most powerful video moments.

Aesop, Chanel and Woolworths Food all use silence or near-silence in key moments. This is intentional. It says: "we are so confident in this product we do not need to fill every second."
Audio type 06

Trending audio (social)

On TikTok and Reels, using a trending audio track can dramatically increase reach because the platform pushes content using trending sounds. However — trending audio must still match the brand. Using a trending sound that is tonally wrong for the brand undermines positioning for the sake of reach.

If a trending sound is playful and fast, and the brand is premium and slow — do not use it. Find a trending sound that matches the brand energy, or create an original audio that becomes your brand signature.
04 — Motion + Colour Grading

How brands move and look in video.

Colour grading is the visual signature of a video — the same way a colour palette is the signature of a brand. Motion style — how fast things move, how cuts are timed — is the brand's energy in time.

Brand type Colour grade Pacing / cuts Camera movement Music tempo SA example
Premium / Luxury Desaturated, warm or cool tones. Lifted blacks (never pure black). Filmic. Very slow. 2–4 cuts per 15 seconds. Long holds. Slow pans, gentle tracking shots. Minimal handheld shake. Slow. Ambient. 60–80 BPM. Minimal instrumentation. Investec, Woolworths Food, Tashas, Marble
Lifestyle / Approachable Warm, bright, slightly saturated. Natural. Clean whites. Medium. 5–8 cuts per 15 seconds. Feels natural. Mix of handheld and stabilised. Feels real but not shaky. Medium. Upbeat but not urgent. 90–110 BPM. Vida e Caffè, Seattle Coffee, local restaurants
Youth / Energetic Bright, high saturation. Punchy contrast. Bold colour. Fast. 10–16 cuts per 15 seconds. Quick transitions. Handheld, dynamic angles, POV shots, speed ramps. Fast. 120–150 BPM. Bass-forward. Current trending sounds. Sportscene, Konka, Checkers 60/60, DJ events
Corporate / Professional Clean, neutral. True colours. No heavy grade. Broadcast-safe. Steady. 4–6 cuts per 15 seconds. Comfortable, not rushed. Mostly static or gentle movement. Tripod-based. Stable. Neutral. Clean. 80–100 BPM. Non-distracting. Standard Bank, FNB corporate content, SASOL communications
Food / Culinary Very warm. Saturated food tones. Rich shadows. Appetising. Slow to medium. Long close-up holds on texture. Satisfying cuts. Overhead shots (flat lay), extreme close-ups, slow pours and reveals. Medium-slow. Warm, often acoustic. 70–90 BPM. Woolworths Food recipes, Marble restaurant, local café content
Tech / Dark UI Cool, desaturated. Deep blacks. Subtle glow accents. Moody. Medium. Clean cuts. Screen recordings intercut with product. Mostly static. Deliberate, precise camera movements. Electronic, atmospheric. Subtle. 90–110 BPM. FNB app content, Discovery digital, Capitec app features
Colour grading basics

Three things to adjust — in this order.

  • Exposure: Is the image bright enough? Not too bright, not too dark. Adjust this first. A correctly exposed image makes everything else easier.
  • White balance: Are the whites actually white? Or are they orange (too warm) or blue (too cool)? Correct white balance matches the intended mood of the brand.
  • Saturation + contrast: Once exposure and white balance are correct, then adjust saturation (how vivid colours are) and contrast (the difference between bright and dark areas). These two control the overall feel and brand energy.
In CapCut: Adjustment → Colour. In Premiere: Lumetri Colour panel. Apply corrections to a single clip first, then copy colour settings to all other clips for consistency.
Typography in motion

Text in video follows the same rules as print.

  • Hierarchy: The most important text must be largest. Supporting text is smaller. Never all the same size.
  • Legibility: White text needs a dark background or a subtle shadow. Dark text needs a light background. Never place text directly on a complex image without a treatment.
  • Timing: Text must appear for long enough to be read — minimum 1.5 seconds for short words, 2.5+ seconds for a full sentence. Read it yourself at normal speed to check.
  • Brand font: Use the brand font in video. Not whatever CapCut offers. Import the brand font file into your editing software.
  • Position: Choose a consistent position for text — bottom third or centred — and stay there across the entire video and all videos in the series.
05 — Short Form Structure

The anatomy of a Reel, TikTok or Short.

Short-form video has a structure — just like a poster or a landing page. Every second has a job. Understand the structure and you can execute it fast and consistently.

The 15-second structure

Every second has a job.

  • 00:00–00:02 — Hook: Stop the scroll. A question, a surprising visual, a bold statement, or movement. If this fails, nothing else matters.
  • 00:02–00:08 — Value: Deliver the main point. Show the product, the process, the result, the information. This is the core of the video.
  • 00:08–00:13 — Build / Drama: Add depth, context or a twist. This keeps viewers who are still watching engaged through to the end.
  • 00:13–00:15 — CTA: What should they do now? Follow, comment, visit, save, share. One CTA only. Never more than one.
The 30-second structure

More space, same discipline.

  • 00:00–00:03 — Hook: Bigger hook space. Can be a pattern interrupt, a bold visual, or a question that takes slightly longer to land.
  • 00:03–00:15 — Context + Value: Establish what the video is about and deliver the primary value. Show, do not tell where possible.
  • 00:15–00:25 — Depth / Story: Give them a reason to watch to the end. Secondary information, a process reveal, a behind-the-scenes moment, or a result that was not visible at the start.
  • 00:25–00:30 — CTA + Outro: What to do next. Follow, visit, save. End on brand — a logo hold, a brand colour, or silence. Never just cut to black.
Format 01

Product showcase

Show the product from multiple angles with intentional lighting. Close-ups on texture, detail, and finish. Slow reveal. Brand logo at end. This format is timeless and works for any product-based brand.

Hook: extreme close-up that does not reveal the product immediately. Reveal at 3–5 seconds. Product holds at 8–10 seconds. Logo + CTA at end.
Format 02

Process / Behind the scenes

Show how something is made or delivered. This builds trust and credibility. People believe in brands they can see working. Show the craft, the care, the team, the process. Never show the parts you want to hide.

Hook: the most satisfying or surprising moment in the process. Then show the process in order. End with the finished result and a product or brand hold.
Format 03

Before and after

One of the highest-performing formats across all platforms. Works for design, food, beauty, renovation, brand identity — almost any transformation. The viewer is wired to want to see the transformation.

Hook: show the "after" first — the best possible result. Then cut back to "before." Walk through the transformation. End on the "after" again with the CTA.
Format 04

Educational / Tips

Share knowledge that is genuinely useful to the target audience. Works extremely well for service brands, studios, and experts. The brand becomes the trusted source — not just a product to buy.

Hook: "Most designers get this wrong..." or "Here is the reason your design does not look professional..." Then deliver the tip clearly. End with: "Follow for more."
Format 05

Day in the life

Shows the brand from the inside — the team, the studio, the process, the culture. Humanises the brand. Works especially well for creative studios, restaurants, and hospitality brands that want to attract clients and talent.

Film throughout the day. Fast cut montage set to music. 15–30 seconds. Show the energy, not just the output. People buy from people they feel they know.
Format 06

Testimonial / Result

Client or customer shares their experience — on camera or through text overlays. The most trusted form of social proof. Must feel genuine. Scripted testimonials feel like advertisements. Genuine ones feel like recommendations.

Hook: the result — not the testimonial. "We went from 0 to 3,000 followers in 30 days." Then show who is saying it and why. End with the brand CTA.
06 — 4-Week Schedule

Your programme, week by week.

09:00–12:00 study and observe. 13:00–16:00 film or edit. Upload Trello by 16:00. Present Tuesday (Mon+Fri). Present Thursday (Tue+Wed).

Week 1 theme

Study how brands use video

Before filming anything, you study. You study how other brands make videos — their lighting, pacing, colour grade, audio. You study until you can describe exactly what makes one brand video feel premium and another feel amateur.

Key principle

See before you create.

Most bad video is made by people who have never deeply studied what good video looks like. This week you watch, annotate, compare and develop vocabulary for what you see. Building comes next week.

Mon
Study 10 brand videos — annotate each one
09–12: Watch 10 brand videos from different categories — food, lifestyle, tech, luxury, youth. For each one, note: lighting type, pacing (cuts per 15 seconds), colour grade description, music tempo, what the hook is, and what the CTA is. 13–16: Write a one-paragraph analysis of the 2 best and 2 worst videos you watched. Explain why specifically.
3h study3h write
10 annotated video notes + 4-video analysis → Trello. Present Tuesday.
Tue ★
Compare: Woolworths Food video vs Checkers 60/60 video
09–12: Find the most recent Woolworths Food Instagram Reel and the most recent Checkers 60/60 Reel. Study both deeply — lighting, pacing, colour, audio, text treatment, hook, CTA. 13–16: Create a comparison document with screenshots and annotations. Identify exactly what makes each one match its brand positioning.
3h study3h comparepresent
Comparison document with annotated screenshots. Present Tuesday — walk through every difference.
Wed
Lighting observation — 6 screenshots with lighting analysis
09–12: Find 6 brand videos with noticeably different lighting — one golden hour, one window light, one dark studio, one warm ambient, one bright lifestyle, one cool tech. 13–16: For each, write a description of the lighting setup (where the light is coming from, what type) and explain how it connects to the brand positioning.
3h study3h analyse
6 lighting analyses with screenshots → Trello. Present Thursday.
Thu ★
Audio study — 5 brand videos, audio analysis only
09–12: Find 5 brand videos. Watch each one twice — once with eyes open, once with eyes closed. Write down everything you hear: music type, BPM estimate, voice (if any), sync sound, SFX. 13–16: For each video, explain how the audio contributes to the brand feeling — or where it works against it.
3h study3h analysepresent
5 audio analyses → Trello. Present Thursday.
Fri
Film a 30-second unedited observation clip
09–12: Study natural lighting conditions at different times of day — photograph the light in your environment at 09:00, 12:00 and 15:00. Note the differences. 13–16: Film a 30-second unedited clip of anything — a product, a person, a space — paying attention only to the quality of the light. No editing. Raw footage only. The goal is to choose good light, not to create good content yet.
3h observe3h film
Raw 30-second clip + brief description of the lighting conditions you chose → Trello. Present Tuesday.
Week 2 theme

Lighting + Audio — controlled production

This week you stop studying and start controlling. You set up lights deliberately, record audio deliberately, and understand the difference between accidental and intentional production quality.

Key principle

Intentional is the word.

A professional video is not necessarily expensive. It is intentional. Every element — the position of the light, the distance of the mic, the choice of location — is chosen, not defaulted to.

Mon
Window light experiment — same subject, 5 different setups
09–12: Study the 3-point lighting system and window light direction. Plan 5 different setups using only a window and your phone. 13–16: Film the same subject (a product, your hands, a drink) in 5 different window light positions — subject facing window, 45° left, 45° right, backlit, behind a diffuser (white fabric or tracing paper). Export stills from each and annotate what each one communicates.
3h study3h experiment
5 comparison stills with lighting annotations → Trello. Present Tuesday.
Tue ★
Record voice-over for a 30-second script — 3 different room setups
09–12: Write a 30-second brand script for a fictional Vaal-area business. Study VO recording technique — mic distance, room choice, monitoring. 13–16: Record the same script in 3 different locations: a hard room (bathroom or kitchen), a soft room (bedroom with curtains and carpet), and outdoors. Compare the audio quality. Identify which is cleanest and explain why.
3h study3h recordpresent
3 audio files + written comparison. Present Tuesday — play each and explain the difference.
Wed
Film a 15-second product clip with intentional 3-point light setup
09–12: Set up a 3-point lighting system using available resources — a key light (window or lamp), fill (white card as reflector), and rim (second lamp or torch from behind). 13–16: Film a 15-second product clip using this setup. Film the same clip with only overhead room light for comparison. Export both. The difference is the lesson.
3h setup3h film
2 clips (intentional 3-point vs flat room light) → Trello. Present Thursday.
Thu ★
Create a 30-second video with VO + music bed (no visuals yet)
09–12: Study how to mix voice and music in CapCut. Understand levels — voice at 0dB, music at -12dB to -18dB. 13–16: Take your Tuesday VO recording (the best version). Find a royalty-free music track that matches the brand. Mix both in CapCut. Export a 30-second audio file only — no visuals. The goal is correct audio mixing before adding visual complexity.
3h study3h mixpresent
30-second mixed audio file (VO + music) → Trello. Present Thursday.
Fri
Golden hour — 10-minute filming window
09–12: Research what time golden hour is today. Plan exactly what you will film and where — you have approximately 10 minutes of ideal light. 13–16: Film during golden hour only. Minimum 5 clips. Film the same subject at different angles. Note how quickly the light changes. Edit the best 3 clips into a 15-second montage with music only — no text, no VO.
3h plan3h film+edit
15-second golden hour montage → Trello. Present Tuesday.
Week 3 theme

Short-form content — structure and speed

This week you build short-form video using the structure from the foundations section. Every video has a hook, value, build and CTA. You produce multiple pieces this week — speed and consistency are the goal.

Key principle

Structure first. Creativity inside the structure.

A strong hook is not random. A good CTA is not accidental. Short-form video has a formula — learn the formula, then express yourself within it. Creativity without structure is just noise.

Mon
Film + edit a 15-second product showcase
09–12: Study product showcase format. Plan your hook, what the product is, your lighting setup, your music choice. Write it down. 13–16: Film and edit a 15-second product showcase for a real or fictional Vaal-area product. Use intentional lighting. Mix audio correctly. Add brand typography. Export at 1080×1920px (vertical).
3h plan3h film+edit
15-second product Reel (1080×1920) → Trello. Present Tuesday.
Tue ★
Film + edit a 15-second "before and after" video
09–12: Plan a before/after concept — design before and after, space before and after, food prep before and after. Study examples. 13–16: Film and edit the before/after. Hook = show the after first. Then walk through from before. End on the after with a CTA. Intentional lighting, correct audio, brand typography throughout.
3h plan3h film+editpresent
Before/after Reel (1080×1920). Present Tuesday — explain hook strategy and why it works.
Wed
Film + edit a 30-second educational tip video
09–12: Choose a design principle from the Genius Path home page. Plan how to explain it visually in 30 seconds. Write the script. 13–16: Film and edit the educational video. You as presenter on camera, or screen recording, or animated text — whichever communicates the concept most clearly. Hook in 3 seconds. Clear tip. Follow CTA at end.
3h plan3h film+edit
30-second educational Reel → Trello. Present Thursday.
Thu ★
Film + edit a 30-second "day in the life" studio clip
09–12: Plan what to show — the studio, the team, the work, the process. Write a shot list. Choose your music. 13–16: Film throughout the morning session. Edit in the afternoon. Fast-cut montage, music-driven. Show the studio energy. Brand logo hold at end. This is the kind of content that attracts both clients and talent.
3h plan3h film+editpresent
30-second day-in-the-life Reel. Present Thursday — walk through every production decision.
Fri
Colour grade comparison — same clip, 3 different grades
09–12: Study colour grading basics in CapCut or Premiere. Study the brand tone table from Section 04. 13–16: Take one of your clips from this week. Apply 3 different colour grades — warm lifestyle, cool premium, punchy youth. Export all 3 side by side. Identify which grade fits each brand type and explain why.
3h study3h grade
3 colour graded versions of the same clip + written explanation → Trello. Present Tuesday.
Week 4 theme

Brand video — full production

This week you produce a complete, professional brand video for a real or fictional brief. All skills from Weeks 1–3 are applied. This is the piece that goes into your portfolio.

Key principle

Every frame is intentional.

You have 4 weeks of knowledge behind you. A professional video is not lucky — it is planned. If a frame is in your final edit, you must be able to explain exactly why it is there and what it communicates.

Mon
Brief, storyboard and shot list
09–12: Choose your brand brief from the task library or create one for a Vaal-area business. Define: brand positioning, video format (15 or 30 seconds), hook strategy, lighting plan, music direction, colour grade intent. 13–16: Write a full storyboard — one frame sketch per scene — and a shot list. Every shot planned before the camera comes out.
3h brief3h storyboard
Written brief + storyboard + shot list → Trello. Present Tuesday.
Tue ★
Film all footage — follow the shot list
09–12: Set up location, lighting and audio before filming a single frame. Test the lighting. Test the audio. Check your phone framing before pressing record. 13–16: Film all shots from the shot list. Get at least 2 takes of every shot. Film extra coverage (close-ups, detail shots, context shots) that you can use in editing. Do not improvise — stick to the plan.
3h setup3h filmpresent
All raw footage uploaded → Trello folder. Present Tuesday — share storyboard vs actual footage comparison.
Wed
Edit — rough cut
09–12: Review all raw footage. Select the best takes. Plan the edit structure — which shots in which order. 13–16: Build a rough cut. Get the story correct before polishing anything. Colour grade, audio mixing and text come after the structure is right. Export rough cut and watch it critically — note everything that does not work.
3h review3h edit
Rough cut (ungraded, no text) → Trello. Present Thursday.
Thu ★
Final edit — colour, audio, text, export
09–12: Apply colour grade. Mix audio (VO + music bed at correct levels). Add brand typography. Check every text element: is it readable? Is it on long enough? Does it use the brand font? 13–16: Export final video at 1080×1920px for vertical, or 1920×1080px for horizontal, depending on the brief. Present Thursday — full video plus production walkthrough: lighting decisions, audio decisions, pacing decisions.
3h finishpresent
Final exported video → Trello. Present Thursday — full production walkthrough. Kahoot quiz this session.
07 — Task Library

Pull a task. Plan it. Film it.

Every task requires planning before filming. No exceptions. Plan the lighting, the hook, the audio, the structure — before you press record.

Lighting · Observation

Window light experiment — 5 setups, 1 subject

Film the same product or subject with 5 different window light positions. Export stills. Annotate what each communicates and which brand type it suits.

Level 190 min
Audio · Production

Record and compare VO in 3 room types

Write a 20-second brand script. Record it in a hard room, a soft room, and outdoors. Compare the audio quality and explain the difference — what causes it and how to fix it.

Level 190 min
Short Form · Product

15-second product showcase Reel

Choose a real or fictional product. Plan the hook, the reveal, the lighting and the CTA. Film and edit. Intentional lighting only. Correct audio levels. Brand typography. Vertical format (1080×1920).

Level 22–3 hours
Short Form · Educational

30-second "design tip" educational video

Choose one principle from the Genius Path home page. Explain it in 30 seconds — visually. Hook in 3 seconds. Clear tip with visual demonstration. Follow CTA at end. Use brand colours and typography.

Level 22–3 hours
Short Form · Before and After

15-second design before/after video

Show a design problem (bad hierarchy, bad spacing, bad colour) and the fixed version. Hook = show the fixed version first. Walk through the problem. End on the fix. This format performs extremely well for design studios.

Level 22–3 hours
Colour · Grading

Colour grade comparison — 3 brand types, 1 clip

Take one neutral clip (a product, a person, a space). Apply 3 colour grades: warm lifestyle, cool premium, punchy youth. Export side by side. Write a brief explaining which brand type each grade suits and why.

Level 290 min
Brand Video · Vaal Brief

30-second brand video for a Sasolburg business

Choose a real Sasolburg or Vaal area business — restaurant, service brand or Sasol-related. Write a brief, storyboard, shot list. Film. Edit. Colour grade. Mix audio. Export. This is portfolio level.

Level 3Full day
Brand Video · Studio

30-second Soldati "day in the studio" Reel

Film the studio, the team and the work across one day. Edit into a 30-second music-driven montage that communicates the Soldati brand energy. This video should make someone want to work with us or work for us.

Level 3Full day
08 — Rubric

How your video work is reviewed.

Every video is reviewed against these criteria. Self-review before uploading. If you cannot answer "yes" to each one — do not upload yet.

Video / Social Content Submission Rubric
Criterion
Strong
Developing
Needs Work
Lighting
Light is intentional and suits the brand positioning. Shadows are controlled. No accidental backlight or harsh overhead.
Mostly good but one shot has a lighting issue — harsh shadow, inconsistent temperature, or flat ring-light feel.
Lighting is accidental. Harsh shadows, blown-out backgrounds, or mixed colour temperatures that were not corrected.
Audio
Voice is clear. Music sits below voice at correct levels. No background hum, wind noise or echo. Cuts are timed to beats.
Mostly good but one audio issue — slightly too loud music, a moment of wind noise, or a cut that does not land on a beat.
Audio is distracting. Bad room echo, wind noise, unclear voice, or music that competes with speech.
Structure
Clear hook in first 2 seconds. Value is delivered. The video ends with a clear CTA. Every second has a purpose.
Hook is present but weak. Value is clear. CTA is there but feels rushed or vague.
No clear hook. Video starts slowly. No CTA at the end. The structure is not apparent.
Colour Grade
Colour grade is consistent across all clips. Feels intentional and matches the brand positioning. Exposure is correct.
Grade is applied but inconsistent between clips — one clip is warmer or brighter than the others.
No colour grade applied or the grade does not match the brand. Inconsistent exposure across clips.
Brand Consistency
Font, colour and placement of text are consistent. The video feels like it belongs to the same brand as the other deliverables.
Text is mostly consistent but one element — font size, position or colour — breaks from the system.
Text uses random fonts, colours or sizes. The video does not look like it belongs to a brand.
09 — References

What to study and follow.

Study these accounts, channels and brands for how they approach video — not just what they film, but how they light, pace, edit and sound.

Jacquemus — @jacquemus
The gold standard for premium lifestyle video. Study the pacing (slow), the colour grade (warm, desaturated), the music (ambient, minimal), and the framing. Almost every video is a masterclass in restraint.
Woolworths SA — @woolworthssa
Study their food Reels specifically. Warm colour grade, slow pacing, close-up texture shots, ambient sync sound. This is how you make products feel premium with accessible production resources.
Checkers Sixty60 — @checkers60sixty60
The opposite of Woolworths — study it for contrast. Fast cuts, bright colour, high energy, trending audio. Both are correct for their brand positioning. Understanding the difference is the lesson.
Peter McKinnon — YouTube
Cinematography and editing education. Study his lighting tutorials and colour grading videos specifically. Clear explanations of professional techniques achievable with accessible equipment.
Matti Haapoja — YouTube
Video production for creators and brands. Great content on colour grading, lighting setups, and how to make brand videos that feel cinematic without a large budget or crew.
Josh Yolkk — @josh_yolkk
Website and design critique with direct, specific feedback. Watch these to train your critical eye — the same skill applies to reviewing video work.
Rhode — @rhode
Study for luxury feminine video language — soft lighting, slow pacing, minimal music, warm tones, close product shots. Every frame could be a still photo. That is the standard.
Tashas — @tashas_restaurant
SA example of premium lifestyle video. Study their food shots — the lighting, the colour grade, the pacing. This is what a local brand video should aspire to at the premium tier.
Objectified (2009) — Documentary
Required watching from the home page. Study this for how professional video communicates about products without showing the product for most of the runtime. Pacing, cinematography and intentionality.